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<channel>
	<title>Vega omladinski centar</title>
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	<link>http://www.vega.org.rs</link>
	<description>Volontiraj i stekni nove veštine!</description>
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		<title>Projekcije</title>
		<link>http://www.vega.org.rs/uncategorized/1381/</link>
		<comments>http://www.vega.org.rs/uncategorized/1381/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 12:06:37 +0000</pubDate>
		<dc:creator>dubravka.obradovic</dc:creator>
				<category><![CDATA[Puškice iz vizuelnih kultura]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.vega.org.rs/?p=1381</guid>
		<description><![CDATA[&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 06/12/2011 Synopsis :  A man since childhood has only one ambition, to become rich. For this he decided to become a professional thief and cheat. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.vega.org.rs/uncategorized/1381/attachment/affiche-1/" rel="attachment wp-att-1382"><img class="alignleft size-medium wp-image-1382" title="affiche-1" src="http://www.vega.org.rs/files/affiche-1-212x300.jpg" alt="" width="212" height="300" /></a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;"><strong><span style="color: #000000;">06/12/2011</span></strong><br />
</span></p>
<p>Synopsis :  A man since childhood has only one ambition, to become rich. For this he decided to become a professional thief and cheat.</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
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		<item>
		<title>TRANSFORMACIJE&gt; ČOVEK I MAŠINA</title>
		<link>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/novembarski-ljudi-i-masine/</link>
		<comments>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/novembarski-ljudi-i-masine/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 15:04:51 +0000</pubDate>
		<dc:creator>dubravka.obradovic</dc:creator>
				<category><![CDATA[Puškice iz vizuelnih kultura]]></category>

		<guid isPermaLink="false">http://www.vega.org.rs/?p=1337</guid>
		<description><![CDATA[ ............................................................................... UTORAK, 8.11.2011, 20h  Westworld (1973)  directed by Michael Crichton Variety magazine described the film as excellent and that it "combines solid entertainment, chilling topicality, and superbly intelligent serio-comic story values" trailer : http://www.youtube.com/watch?v=dQVWP8fP5To  .......................................  ....................................................................... ............................................................. ......................................... ................................. ............................................................ UTORAK,15.11.2011, 20h electric dragon 80 000 v (2001) directed by Sogo Ishii Two urban warriors (Tadanobu [...]]]></description>
			<content:encoded><![CDATA[<pre><span style="color: #ffffff;"> ...............................................................................</span></pre>
<p><img class="alignleft size-medium wp-image-1339" title="220px-Westworld_ver2" src="http://www.vega.org.rs/files/220px-Westworld_ver2-195x300.jpg" alt="" width="195" height="300" /></p>
<pre><strong>UTORAK, 8.11.2011, 20h<span style="color: #000000;"> </span></strong></pre>
<p><span class="Apple-style-span" style="font-family: Consolas, Monaco, monospace; font-size: 12px; line-height: 18px; white-space: pre; color: #888888;"><strong>Westwo</strong><strong>rld (1973)</strong> </span></p>
<pre>directed by Michael Crichton</pre>
<pre>Variety magazine described the</pre>
<pre>film as excellent and that it "combines solid
entertainment,</pre>
<pre>chilling topicality, and superbly intelligent
serio-comic story values"

trailer : http://www.youtube.com/watch?v=dQVWP8fP5To</pre>
<pre></pre>
<pre><span style="color: #ffffff;"> .......................................</span></pre>
<pre></pre>
<pre><span style="color: #ffffff;"> .......................................................................</span></pre>
<pre><span style="color: #ffffff;">.............................................................
.........................................
.................................
</span></pre>
<p><img class="size-full wp-image-1338 alignleft" title="electric" src="http://www.vega.org.rs/files/electric.jpeg" alt="" width="239" height="179" /></p>
<pre><span style="color: #ffffff;">............................................................</span></pre>
<pre><strong>UTORAK,15.11.2011, 20h</strong></pre>
<pre><span style="color: #808080;"><strong>electric dragon 80 000 v (2001)</strong></span></pre>
<pre>directed by Sogo Ishii
Two urban warriors (Tadanobu Asano, Masatoshi Nagase),
who both survived electrocution as children,
maintain an intense and violent rivalry. 

Trailer :  http://www.youtube.com/watch?v=0nHfldl5FzQ</pre>
<pre><span style="color: #ffffff;"> .......................................................................</span></pre>
<pre><span style="color: #ffffff;">....................................................................................</span></pre>
<pre><span style="color: #ffffff;"> ................................................................................</span></pre>
<pre><span style="color: #ffffff;">..................................................................................................................................................................</span></pre>
<pre><span style="color: #ffffff;"> .................</span></pre>
<p><img class="alignleft size-full wp-image-1340" title="tetsuo" src="http://www.vega.org.rs/files/tetsuo.jpeg" alt="" width="225" height="224" /></p>
<pre><span style="color: #ffffff;">.............................................................................</span></pre>
<pre><strong>UTORAK,22.11.2011, 20h</strong></pre>
<pre><span style="color: #808080;"><strong>Tetsuo (1989)</strong></span></pre>
<pre>directed by shinya tsukamoto

Japanese salary man, an average office worker who is
transformed by a brief encounter with
a metals fetishist, a man who has purposefully
implanted pieces of scrap metal in his body.

trailer :http://www.youtube.com/watch?v=uROMTzJsfOI
<span style="color: #ffffff;">............................</span>
<span style="color: #ffffff;">.................................</span>
<span style="color: #ffffff;">.....................................................................</span>
<span style="color: #ffffff;">......................................................................</span></pre>
<pre><span style="color: #ffffff;">......................................................................................................... ........................</span></pre>
<pre><span style="color: #ffffff;">.................................... .................... .............................................................. ....................................................... .......................................... <a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/novembarski-ljudi-i-masine/attachment/momia_robot/" rel="attachment wp-att-1363"><img class="alignleft size-medium wp-image-1363" title="momia_robot" src="http://www.vega.org.rs/files/momia_robot-208x300.jpg" alt="" width="208" height="300" /></a></span>
<span style="color: #ffffff;">.<span style="color: #000000;"><strong>
UTORAK, 29.11.2011, 20h</strong></span></span><span style="color: #ffffff;"><span style="color: #000000;"><br style="color: #ffffff;" /> <strong><span style="color: #808080;">
La momia azteca contra el robot humano (1958) 

</span></strong><span style="color: #808080;"><span style="color: #000000;">directed by Rafael Portillo</span></span></span> <span style="color: #000000;"> 

A mad doctor builds a robot in order to steal a valuable
Aztec treasure from a tomb guarded</span> <span style="color: #000000;">by a centuries old
living mummy.</span> 

<span style="color: #000000;">trailer : http://www.youtube.com/watch?v=ZhsFAt9ju2o
<span style="color: #ffffff;">........................</span>
<span style="color: #ffffff;">..........................</span>
<span style="color: #ffffff;">...............................</span>
<span style="color: #ffffff;">...............................</span>
<span style="color: #ffffff;">................................</span>
<span style="color: #ffffff;">................................................................</span>
<span style="color: #ffffff;">.................................................................</span>
<span style="color: #ffffff;">...............................................................</span>
<span style="color: #ffffff;">...................................................................</span><br style="color: #ffffff;" /></span></span></pre>
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		<item>
		<title>Хрусталев, машину!   Utorak 4/10</title>
		<link>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/%d1%85%d1%80%d1%83%d1%81%d1%82%d0%b0%d0%bb%d0%b5%d0%b2-%d0%bc%d0%b0%d1%88%d0%b8%d0%bd%d1%83/</link>
		<comments>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/%d1%85%d1%80%d1%83%d1%81%d1%82%d0%b0%d0%bb%d0%b5%d0%b2-%d0%bc%d0%b0%d1%88%d0%b8%d0%bd%d1%83/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 10:57:22 +0000</pubDate>
		<dc:creator>dubravka.obradovic</dc:creator>
				<category><![CDATA[Puškice iz vizuelnih kultura]]></category>

		<guid isPermaLink="false">http://www.vega.org.rs/?p=1314</guid>
		<description><![CDATA[&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 04/10 In VEGA, 8:00 PM Хрусталев, машину! directed by A.Guerman (1998) Synopsis: Military doctor General Klenski is arrested in Stalin&#8217;s Russia in 1953 during an anti-Semitic political campaign accused of being a participant in so-called &#8220;doctors&#8217; plot&#8221;&#8230; &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/%d1%85%d1%80%d1%83%d1%81%d1%82%d0%b0%d0%bb%d0%b5%d0%b2-%d0%bc%d0%b0%d1%88%d0%b8%d0%bd%d1%83/attachment/german-film_10/" rel="attachment wp-att-1315"><img class="aligncenter size-medium wp-image-1315" title="german-film_10" src="http://www.vega.org.rs/files/german-film_10-300x226.jpg" alt="" width="300" height="226" /></a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p>04/10</p>
<p>In VEGA, 8:00 PM</p>
<p><em>Хрусталев, машину!</em> directed by A.Guerman (1998)</p>
<p><span style="text-decoration: underline;">Synopsis</span>: Military doctor General Klenski is arrested in Stalin&#8217;s Russia in 1953 during an anti-Semitic political campaign accused of being a participant in so-called &#8220;doctors&#8217; plot&#8221;&#8230;</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
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		<title>Anatomie du cinéma français 2</title>
		<link>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomie-du-cinema-francais-2/</link>
		<comments>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomie-du-cinema-francais-2/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 16:43:19 +0000</pubDate>
		<dc:creator>dubravka.obradovic</dc:creator>
				<category><![CDATA[Puškice iz vizuelnih kultura]]></category>

		<guid isPermaLink="false">http://www.vega.org.rs/?p=1290</guid>
		<description><![CDATA[&#160; &#160; &#160; La guerre des boutons (06/09/2011) Directed by: Yves Robert (1962) Synopsis: In France country side, two villages, Longeverne and Velrans, are at war. This is war waged every year the students of the two municipalities. Each side decided to have a chest war: Buttons. Trailer: http://www.youtube.com/watch?v=9qG4WgJ84Lc&#38;feature=related &#160; &#160; &#160; &#160; &#160; La vie [...]]]></description>
			<content:encoded><![CDATA[<p>&nbsp;</p>
<p style="text-align: center;"><a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomie-du-cinema-francais-2/attachment/poster-2/" rel="attachment wp-att-1289"><img class="size-medium wp-image-1289 aligncenter" title="poster" src="http://www.vega.org.rs/files/poster1-212x300.jpg" alt="" width="212" height="300" /></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="text-decoration: underline;"><a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomie-du-cinema-francais-2/attachment/guerre-des-boutons/" rel="attachment wp-att-1284"><img class="alignleft size-medium wp-image-1284" title="La guerre des boutons" src="http://www.vega.org.rs/files/guerre-des-boutons-224x300.jpg" alt="" width="134" height="180" /></a>La guerre des boutons </span>(06/09/2011)</p>
<p>Directed by: Yves Robert (1962)</p>
<p>Synopsis: In France country side, two villages, Longeverne and Velrans, are at war. This is war waged every year the students of the two municipalities. Each side decided to have a chest war: Buttons.</p>
<p>Trailer: <a href="http://www.youtube.com/watch?v=9qG4WgJ84Lc&amp;feature=related">http://www.youtube.com/watch?v=9qG4WgJ84Lc&amp;feature=related</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="text-decoration: underline;"><a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomie-du-cinema-francais-2/attachment/la-vie-de-jesus-affiche/" rel="attachment wp-att-1285"><img class="alignleft size-full wp-image-1285" title="la-vie-de-jesus" src="http://www.vega.org.rs/files/la-vie-de-jesus-affiche.jpg" alt="" width="131" height="188" /></a>La vie de Jésus</span> (13/09/2011)</p>
<p>Directed by: Bruno Dumont (1997)</p>
<p>Synopsis: Life chronicle of Freddy, a young epileptic who lives with his mother Yvette in Bailleul (north of France), where she holds the coffee “Au Petit Casino”. His existence is disrupted by the outbreak of Kader, who will seduce his girlfriend, Marie…</p>
<p>Trailer: <a href="http://www.youtube.com/watch?v=Nqlsv-xCFI0">http://www.youtube.com/watch?v=Nqlsv-xCFI0</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="text-decoration: underline;"><a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomie-du-cinema-francais-2/attachment/les400coups/" rel="attachment wp-att-1286"><img class="alignleft size-medium wp-image-1286" title="les400coups" src="http://www.vega.org.rs/files/les400coups-220x300.jpg" alt="" width="140" height="189" /></a>Les 400 coups</span> (20/09/2011)</p>
<p>Directed by: François Truffaut</p>
<p>Synopsis : Antoine has a turbulent adolescence. He lies to his parents, stealing, running away. His only consolation, he makes the “four hundred blows” with his friend René. One day the police involved…</p>
<p>Trailer: <a href="http://www.youtube.com/watch?v=BlHckmVjnho">http://www.youtube.com/watch?v=BlHckmVjnho</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="text-decoration: underline;"><a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomie-du-cinema-francais-2/attachment/mon-oncle/" rel="attachment wp-att-1287"><img class="alignleft size-medium wp-image-1287" title="mon-oncle" src="http://www.vega.org.rs/files/mon-oncle-225x300.jpg" alt="" width="138" height="183" /></a>Mon oncle</span> (27/09/2011)</p>
<p>Directed by: Jacques tati</p>
<p>Synopsis: In a modern area where everything is very (too) well-appointed living the Arpel family…Uncle Hulot come&#8230;</p>
<p>Trailer: <a href="http://www.youtube.com/watch?v=JlGTCqpLqXg">http://www.youtube.com/watch?v=JlGTCqpLqXg</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
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		<title>Rassegna di Film Italiani</title>
		<link>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/1268/</link>
		<comments>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/1268/#comments</comments>
		<pubDate>Thu, 04 Aug 2011 16:00:31 +0000</pubDate>
		<dc:creator>dubravka.obradovic</dc:creator>
				<category><![CDATA[Puškice iz vizuelnih kultura]]></category>

		<guid isPermaLink="false">http://www.vega.org.rs/?p=1268</guid>
		<description><![CDATA[Ciklus Italijanskih filmova svakog utorka od 20.30h titlovi na engleskom &#160;  9. Avgust:  Le conseguenze dell&#8217;amore (2004) , 100&#8242;,  &#160; &#160; rezija: Paolo Sorrentino zvanični sajt: www.medusa.it/leconseguenzedellamore Sinopsis: Every man has a secret he can’t confess. ButTitta Di Girolamo has more than one. It is obvious. Otherwise why would a fifty year-old, from the south, be living [...]]]></description>
			<content:encoded><![CDATA[<h1>Ciklus Italijanskih filmova</h1>
<p>svakog utorka od 20.30h</p>
<p>titlovi na engleskom</p>
<p>&nbsp;</p>
<p><a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/1268/attachment/4print/" rel="attachment wp-att-1269"><img class="size-medium wp-image-1269 alignnone" title="4print" src="http://www.vega.org.rs/files/4print-212x300.jpg" alt="" width="212" height="300" /></a></p>
<p><span style="font-size: small;"><span class="Apple-style-span" style="line-height: normal;"> 9. Avgust: </span></span></p>
<p><span style="font-size: small;"><span class="Apple-style-span" style="line-height: normal;"><strong>Le conseguenze dell&#8217;amore</strong> (2004) , 100&#8242;, </span></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div><strong><a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/1268/attachment/conseguenze_dell_amore__le_-_locandina/" rel="attachment wp-att-1270"><img class="alignleft size-medium wp-image-1270" title="Conseguenze_dell_Amore__Le_-_locandina" src="http://www.vega.org.rs/files/Conseguenze_dell_Amore__Le_-_locandina-209x300.jpg" alt="" width="209" height="300" /></a>rezija</strong>: Paolo Sorrentino</div>
<div><strong>zvanični sajt</strong>: <a href="http://www.medusa.it/leconseguenzedellamore/" target="link">www.medusa.it/leconseguenzedellamore</a></div>
<div><strong>Sinopsis</strong>: Every man has a secret he can’t confess. ButTitta Di Girolamo has more than one. It is obvious. Otherwise why would a fifty year-old, from the south, be living in an anonymous hotel room in an anonymous town in the Italian part of Switzerland for eight years? Eight years spent not working. Apparently. Years of silence and cigarettes, years spent hanging-out between the lobby and the hotel bar, wearing elegant clothes without allowing any past-times. An atrocious routine, in the eternal waiting that something extraordinary will happen. But what could ever happen?. Titta observes, he examines the life that passes before him and no sentiment, no emotion is given away. Apparently. Without anybody. Alone. A lost man. Lost for years secretly contemplating something. But what? And why? What are Titta Di Girolamo’s secrets?</div>
<div>
<p><strong>Trailer</strong>: <a href="http://www.youtube.com/watch?v=q8iZtKBoh1c">http://www.youtube.com/watch?v=q8iZtKBoh1c</a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p>16. Avgust:</p>
<p><strong><a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/1268/attachment/mio_fratello/" rel="attachment wp-att-1271"><img class="alignleft size-medium wp-image-1271" title="mio_fratello" src="http://www.vega.org.rs/files/mio_fratello-208x300.jpg" alt="" width="208" height="300" /></a>Mio fratello è figlio unico</strong> (2007), 100&#8242;</p>
<p><strong>Regia</strong>:  Daniele Luchetti</p>
<p><strong>Sito ufficiale</strong>:  <a href="http://dl1.games.vip.ukl.yahoo.com/download/it/warner_mfu/index.html" target="link">www.dl1.games.vip.ukl.yahoo.com/&#8230;</a><br />
<strong>Sinopsis</strong>: Growing up in small-town Italy during the &#8217;60s and &#8217;70s, brothers Accio and Manrico embody and celebrate opposing political stances, but share an impassioned love of the same woman that threatens to drive them to blows. Directors political comedy <a href="http://www.artistdirect.com/nad/store/movies/title/0,,4162514,00.html">Mio Fratello È Figlio Unico</a> (aka My Brother Is an Only Child, 2007) observes the brothers over the course of 15 years, against the ever-shifting backdrop of tumultuous Italian sociopolitical history. During that time span, the siblings&#8217; loyalties will fluctuate; they will endure arguments and quarrels, and find themselves separated by the ravages of time and circumstance and reunited magnetically by the wisdom of age. In time, they will come to a firmer and clearer understanding of not only the differences but the similarities that they harbor.</p>
<p><strong>Trailer</strong>: <a href="http://www.youtube.com/watch?v=jnlKM7NNUC4">http://www.youtube.com/watch?v=jnlKM7NNUC4</a></p>
<p>&nbsp;</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p>23. Avgust:</p>
<p><strong>Marrakech express </strong>(1989), 110&#8242;<a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/1268/attachment/marrakesh/" rel="attachment wp-att-1272"><img class="alignleft size-medium wp-image-1272" title="marrakesh" src="http://www.vega.org.rs/files/marrakesh-207x300.jpg" alt="" width="207" height="300" /></a></p>
<p><strong>Regia</strong>: Gabriele Salvatores</p>
<p><strong>Sinopsis</strong>: When Teresa, an old school chum from ten years before, shows up at his house, Marco  lets her in. She wants him to help her get hold of $20,000 to pay off a Moroccan judge to get her boyfriend Rudy (another old school chum) out of jail. Somehow, this story plays on his heartstrings, and instead of kicking her out, he contacts other old chums from the period. The whole gang reunites with Teresa and Marco, at first revealing, then shedding their grown-up identities. After raising the money, they all travel to Morocco to spring their comrade. Along the way, they smoke a lot of dope and relive old times. When Teresa apparently runs off with the money (and Rudy), they get hold of some bicycles and try and track them down.</p>
<p><strong>Trailer</strong>: <a href="http://www.youtube.com/watch?v=Htsi2Dcyi0w">http://www.youtube.com/watch?v=Htsi2Dcyi0w</a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p>&nbsp;</p>
<p>30. Avgust</p>
<p><strong>Johnny Stecchino </strong>(1991), 115&#8242;<a href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/1268/attachment/la-locandina-di-johnny-stecchino-10293/" rel="attachment wp-att-1273"><img class="alignleft size-medium wp-image-1273" title="la-locandina-di-johnny-stecchino-10293" src="http://www.vega.org.rs/files/la-locandina-di-johnny-stecchino-10293-208x300.jpg" alt="" width="208" height="300" /></a></p>
<p><strong>Regia</strong>: Roberto Benigni</p>
<p><span style="font-size: small;"><span class="Apple-style-span" style="line-height: normal;"><strong>Sinopsis</strong>: </span></span>Good hearted but not very wordly-wise, Dante is happy driving the school bus for a group of mentally handicapped children, while feeling he is somehow missing out on life and love. So he is very excited when after nearly being knocked down by her car he meets Maria, who seems immediately enamoured of him. He is soon invited to her sumptuous Palermo villa, little suspecting that this is part of a plot. He bears an amazing likeness to Maria&#8217;s stool-pigeon gangster husband and it would be convenient for them if the mobster, in the shape of Dante, was seen to be dead and buried.</p>
<p><strong>Trailer</strong>: <a href="http://www.youtube.com/watch?v=9v_6oW_suyQ">http://www.youtube.com/watch?v=9v_6oW_suyQ</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
</div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
]]></content:encoded>
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		<title>Dokumentarni? filmovi!</title>
		<link>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/dokumentarni-filmovi/</link>
		<comments>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/dokumentarni-filmovi/#comments</comments>
		<pubDate>Fri, 08 Jul 2011 17:26:39 +0000</pubDate>
		<dc:creator>dubravka.obradovic</dc:creator>
				<category><![CDATA[Puškice iz vizuelnih kultura]]></category>

		<guid isPermaLink="false">http://www.vega.org.rs/?p=1255</guid>
		<description><![CDATA[Sveti  gral bilo kojeg dokumentarca je ISTINA. Sve je dozvoljeno kako bi je dostigli, uključujući laganje. Ova četiri dokumentarca, različita međusobno onoliko koliko različito prilaze svojim temama i svrsi, ipak imaju nit koja ih povezuje: Igranje sa istinom. Režiseri kao što su Godar, Antonioni ili Ozu su poznati po kršenju pravila i ponovnom izmišljanju jednog [...]]]></description>
			<content:encoded><![CDATA[<p>Sveti  gral bilo kojeg dokumentarca je <em>ISTINA</em>. Sve je dozvoljeno kako bi je dostigli, uključujući laganje. Ova četiri dokumentarca, različita međusobno onoliko koliko različito prilaze svojim temama i svrsi, ipak imaju nit koja ih povezuje: Igranje sa istinom. Režiseri kao što su Godar, Antonioni ili Ozu su poznati po kršenju pravila i ponovnom izmišljanju jednog dela filmske umetnosti, isprobavanju različitih pristupa i alternativnih puteva do klasičnog filma. Naglašavajući i prevazilazeći tradicionalna pravila, &#8220;izumeli&#8221; su nov film.</p>
<p>U četiri dokumentarca koje ćemo ovog meseca gledati, eksperiment je drugačiji. Ne postoji namera da se žanr formalno ospori. Sve konvencionalne tehnike dokumentarnog filma su prisutne, bez estetskih revolucija ili pokušaja inovacije. Primenjuju klasičnu šemu (subjektivna kamera, intervju, vojs-over, arhivski materijal, anegdote, itd.), da bi na kraju došli do ne do istine već do laži! Ovo je možda inovativna strana ovih <em>lažnih dokumentaraca</em> . Za razliku od igranog filma i ovakvih <em>drugačijih</em> formi, klasični dokumentarci imaju obavezu da prenose istinu, jednostavnu i bez perspektive. U takvom svetu, gde je govor eksperata (naučnih, vojnih  ili ekonomskih) slavljen kao glas novih proroka, ništa nije zabavnije od igre sa čuvenom &#8220;istinom&#8221; o kojoj svi govore i koju svako želi.</p>
<p>Uz manja skretanja sa kursa, ciklus &#8220;puškica&#8221; već tri godine prikazuje dokumentarne filmove. Bez nekog posebnog razloga, zaustavićemo se na pitanju koje do sad nismo postavljali : Šta su dokumentarni filmovi?</p>
<p>Evo na primer, na <em>Wikipediji</em>*, (gde se, opet, citira <em>Oxford English Dictionary</em>) piše: &#8220;<strong><em>Documentary films</em></strong><em> constitute a broad category of nonfictional motion pictures intended to document some aspect of reality, primarily for the purposes of instruction or maintaining a historical record</em>.&#8221;  Jasno je da ovakvo određenje ne može da obuhvati većinu produkcija koje smo do sada imali prilike da vidimo. Šta je stvarnost i kako se ona može uopšte dokumentovati?  Da li stvarnost može da se proizvodi kao propaganda? Koji je odnos između činjenica i istine? Na kraju, da li, ako smo odbacili ideju postojanja univerzalne istine, dokumentarci ipak mogu da poseduju nekakvu inherentnu &#8220;dublju istinu&#8221;?  Upustićemo se ovog meseca u dijalog o načinima i granicama dokumentaraca sa ljudima koji ih prave, i to ovim redom:</p>
<p><strong>12.Jul 2011, 20h</strong></p>
<p><a rel="attachment wp-att-1256" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/dokumentarni-filmovi/attachment/forgottensilver/"><img class="alignleft size-medium wp-image-1256" title="forgottensilver" src="http://www.vega.org.rs/files/forgottensilver-214x300.jpg" alt="" width="214" height="300" /></a><strong>Forgotten silver :</strong></p>
<p>&nbsp;</p>
<p>Da li je možda jedan od pionira filma bio sa Novog Zelanda? Piter Džekson je smatrao da bi bilo zabavno ubediti gledaoce da veruju u to u ovom dokumentarcu snimljenom za novozelandsku televiziju. Film prati život i rad Kolina MekKenzija, velikog režisera, izumitelja zvuka i filma u boji, autora gigantskog projekta Salome, praćenog nizom nesrećnih okolnosti.</p>
<p>&nbsp;</p>
<p>Napisali i režirali : Piter Džekson i Kosta Botes (1995)</p>
<p>imdb link: <a href="http://www.imdb.com/title/tt0116344/">http://www.imdb.com/title/tt0116344/</a></p>
<p>insert:<a href="http://www.youtube.com/watch?v=YmDbyERxmcQ&amp;feature=related">http://www.youtube.com/watch?v=YmDbyERxmcQ&amp;feature=related</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><a rel="attachment wp-att-1257" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/dokumentarni-filmovi/attachment/poster/"><img class="alignleft size-medium wp-image-1257" title="poster" src="http://www.vega.org.rs/files/poster-210x300.jpg" alt="" width="210" height="300" /></a><strong>19. Jul 2011. u 20h  :</strong>Czech dream (Ceský sen)</p>
<p>&nbsp;</p>
<p>Sinopsis: Priča o velikoj prevari, koju su smislila dva studenta filmske škole kao deo svog diplomskog rada. Pokrenuli su ogromnu reklamnu kampanju (flajeri, radio džinglovi, TV reklame itd.) kako bi najavili otvaranje velikog supermaketa nazvanog <em>Češki san. </em>Dovedeni u iskušenje neverovatnim ponudama, hiljade ljudi požurilo je na dan otvaranja u ovaj hram potrošnje&#8230;</p>
<p>&nbsp;</p>
<p>Napisali i režirali: Vit Klusak i Filip Remunda</p>
<p>imdb link: <a href="http://www.imdb.com/title/tt0402906/">http://www.imdb.com/title/tt0402906/</a></p>
<p>trejler: <a href="http://www.youtube.com/watch?v=cKFUuMr63EM">http://www.youtube.com/watch?v=cKFUuMr63EM</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="color: #ffffff;"><strong>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</strong></span></p>
<p><span style="color: #ffffff;"><strong>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</strong></span></p>
<p><span style="color: #ffffff;"><strong>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</strong></span></p>
<p><strong><a rel="attachment wp-att-1258" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/dokumentarni-filmovi/attachment/3298490920077/"><img class="alignleft size-medium wp-image-1258" title="3298490920077" src="http://www.vega.org.rs/files/3298490920077-211x300.jpg" alt="" width="211" height="300" /></a>26.Jul 2011. , 20h : </strong>Operation lune ( Darkside of the moon)</p>
<p>&nbsp;</p>
<p>Dokumentarac o intrigama, suptilnoj manipulaciji činjenica, fikciji i hipotezama oko događaja koji je obeležio dvadeseti vek: put na Mesec.</p>
<p>&nbsp;</p>
<p>Napisao i režirao Vilijam Karel (2002.)</p>
<p>imdb link:<a href="http://www.imdb.com/title/tt0344160/">http://www.imdb.com/title/tt0344160/</a></p>
<p>insert: <a href="http://www.youtube.com/watch?v=5SRP4X1AytQ">http://www.youtube.com/watch?v=5SRP4X1AytQ</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="color: #ffffff;"><strong>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</strong></span></p>
<p><span style="color: #ffffff;"><strong>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</strong></span></p>
<p><strong>2. Avgust 2011., 20h : </strong></p>
<p><a rel="attachment wp-att-1259" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/dokumentarni-filmovi/attachment/affiche_incident_au_loch_ness_2004_2/"><img class="alignleft size-medium wp-image-1259" title="affiche_Incident_au_Loch_Ness_2004_2" src="http://www.vega.org.rs/files/affiche_Incident_au_Loch_Ness_2004_2-202x300.jpg" alt="" width="202" height="300" /></a>Incident at Loch Ness :</p>
<p>&nbsp;</p>
<p>Hercog  je na ekspediciji u Škotskoj da istraži mit o čudovištu iz LohNesa za svoj novi film. Istovremeno, Džon Bejli snima dokumentarac o Hercogu, pod imenom <em>Hercog u Zemlji Čuda</em> i prati režisera tokom priprema i na terenu.</p>
<p>&nbsp;</p>
<p>Napisao Werner Hertzog, režirao Zak Penn (2004)</p>
<p>imdb link: <a href="http://www.imdb.com/title/tt0374639/">http://www.imdb.com/title/tt0374639/</a></p>
<p>trejler: <a href="http://www.youtube.com/watch?v=756qS4keqig">http://www.youtube.com/watch?v=756qS4keqig</a></p>
<p>&nbsp;</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p>&nbsp;</p>
<p>DOBRODOŠLI!</p>
<p>*<a href="http://en.wikipedia.org/wiki/Documentary_film">http://en.wikipedia.org/wiki/Documentary_film</a></p>
<p>&nbsp;</p>
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		<item>
		<title>Anatomija francuskog filma</title>
		<link>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomija-francuskog-filma/</link>
		<comments>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomija-francuskog-filma/#comments</comments>
		<pubDate>Fri, 27 May 2011 16:17:59 +0000</pubDate>
		<dc:creator>dubravka.obradovic</dc:creator>
				<category><![CDATA[Puškice iz vizuelnih kultura]]></category>

		<guid isPermaLink="false">http://www.vega.org.rs/?p=1126</guid>
		<description><![CDATA[Svakog utorka u 20h, Bulevar Kralja Aleksandra 93, crvena vrata desno u haustoru akog utorka od 20h, Ciklus francuskih filmova Šta je francuska kultura? Na prvom mestu, da li ona uopšte postoji? Po čemu je posebna u odnosu na druge kulture Zapada, da li je još uvek tamo, živa? Uprkos mnogim izuzecima, snaga francuskog filma [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: small;"><strong><br />
</strong></span></p>
<p><span style="font-size: small; color: #ffffff;"><span style="font-size: medium;"><strong><span style="color: #000000;">Svakog utorka u 20h,</span></strong></span></span></p>
<p><span style="font-size: small; color: #ffffff;"><span style="font-size: medium;"><strong><span style="color: #000000;">Bulevar Kralja Aleksandra 93, crvena vrata desno u haustoru</span></strong></span></span></p>
<p><span style="font-size: small; color: #ffffff;"><span style="font-size: medium;"><strong>akog utorka od 20h, </strong></span></span></p>
<p><span style="font-size: small; color: #ffffff;"><span style="font-size: medium;"><strong><br />
<a rel="attachment wp-att-1131" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomija-francuskog-filma/attachment/abeillewww-2/"><img class="alignleft size-large wp-image-1131" title="abeilleWWW" src="http://www.vega.org.rs/files/abeilleWWW1-600x828.jpg" alt="" width="252" height="348" /></a></strong></span></span><span style="font-size: medium;"><strong>Ciklus francuskih filmova</strong></span></p>
<p><span style="font-size: small;"><span style="font-size: medium;"><strong><br />
</strong></span></span></p>
<p><span style="font-size: small;">Šta je francuska kultura? Na prvom mestu, da li ona uopšte postoji? Po čemu je posebna u odnosu na druge kulture Zapada, da li je još uvek tamo, živa?</span></p>
<p><span style="font-size: small;">Uprkos mnogim izuzecima, snaga francuskog filma možda je upravo u tendenciji da bude istovremeno popularan &#8211; u smislu da je namenjen celom narodu, (makar i izmišljenom ili romansiranom) a ne &#8220;prosvećenoj&#8221;, &#8220;ultra kultivisanoj&#8221; samoprozvanoj &#8220;eliti&#8221; – zadržavajući dublju, sadržajniju, političku poruku.</span></p>
<p><span style="font-size: small;">Za mene je ovo dvostruko čitanje ono što označava specifični francuski film (ili makar najbolje od njega).</span></p>
<p><span style="font-size: small;"><br />
</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p>&nbsp;</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p>&nbsp;</p>
<p><strong>Utorak, 31.5.2011, 20h</strong></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">Les vacances de Mr Hulot</span></span> (1953)  96 min</p>
<p><a rel="attachment wp-att-1144" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomija-francuskog-filma/attachment/403px-les_vacances_de_m_hulot/"><img class="alignleft size-medium wp-image-1144" title="403px-Les_Vacances_de_M_Hulot" src="http://www.vega.org.rs/files/403px-Les_Vacances_de_M_Hulot-201x300.jpg" alt="" width="201" height="300" /></a>režija:Jacques Tati</p>
<p>Scenario:Henry Marquet, Jacques Lagrange and Jacques Tati</p>
<p>Muzika:Alain Romans</p>
<p>Fotografija:Jacques Mercanton, Jean Moussell</p>
<p>Zvuk:Roger Cosson and Jacques Carrère</p>
<p>Produkcija:Fred Orain and Jacques tati</p>
<p>&nbsp;</p>
<p>Sinopsis</p>
<p>Francuska pedesetih. Gospodin Hulot, kao većina sveta, odlazi na letovanje na oblalu Atlantika u Bretanju, u mali hotel u Saint-Marc-sur-mer/u. Svet uživanja, hotel na plaži, strani turisti, nemirna deca, čitav ovaj univerzum biće pozornica gegova i stavova gospodina Hulot-a<span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><strong>Utorak, 7.6.2011., 20h</strong></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">Le père noel a les yeux bleus</span> (</span>1966), 47 min</p>
<p><a rel="attachment wp-att-1147" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomija-francuskog-filma/attachment/le_pere_noel_a_les_yeux_bleus/"><img class="alignleft size-medium wp-image-1147" title="le_pere_noel_a_les_yeux_bleus" src="http://www.vega.org.rs/files/le_pere_noel_a_les_yeux_bleus-210x300.jpg" alt="" width="210" height="300" /></a></p>
<p>režija:Jean Eustache</p>
<p>scenario:Jean Eustache</p>
<p>muzika:René Coli and César Gattegno</p>
<p>zvuk:Bernard Aubouy</p>
<p>fotografija:Philippe Théaudière</p>
<p>produkcija:Anouchka films</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p>Sinopsis:</p>
<p>Danijel (Jean-Pierre Léaud) želi da kupi lepu kožnu jaknu i zato odlučuje da nađe privremene poslove. Tako, prihvata ponudu fotografa da se obuče kao Deda Mraz i fotografiše sa  prolaznicima.</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><strong>Utorak, 14.06.2011,<strong>20h</strong></strong></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">Le locataire</span> (1976), 125 min</span></p>
<p><a rel="attachment wp-att-1168" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomija-francuskog-filma/attachment/le_locataire__355/"><img class="alignleft size-medium wp-image-1168" title="Le_locataire__355" src="http://www.vega.org.rs/files/Le_locataire__355-226x300.jpg" alt="" width="226" height="300" /></a>režija:Roman Polanski</p>
<p>Scenario:Roman Polanski , Gérard Brach (from the novel of Roland Topor)</p>
<p>Muzika:Philippe Sarde</p>
<p>Fotografija: Sven Nykvist</p>
<p>Zvuk: Jean-Pierre Ruh</p>
<p>Produkcija: Paramount</p>
<p>&nbsp;</p>
<p>Sinopsis:</p>
<p>Trelkovski radi u arhivi. Posećuje prazan stan u popularnoj pariskoj četvrti i domar mu saopštava da se prethodni stanar pre par dana bacio kroz prozor. Trelkovski se  useljava u stan i ukoro postaje žrtva višestrukih ponižavanja od strane novih komšija.</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><strong>Utorak, 21.6.2011, 20h</strong></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">Sous le soleil de Satan</span> (1987), 103 min</span></p>
<p><a rel="attachment wp-att-1159" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomija-francuskog-filma/attachment/18747738-jpg-r_160_214-b_1_cfd7e1-f_jpg-q_x-20070301_044007/"><img class="alignleft size-full wp-image-1159" title="18747738.jpg-r_160_214-b_1_CFD7E1-f_jpg-q_x-20070301_044007" src="http://www.vega.org.rs/files/18747738.jpg-r_160_214-b_1_CFD7E1-f_jpg-q_x-20070301_044007.jpg" alt="" width="159" height="214" /></a>režija:Maurice Pialat</p>
<p>Scenario:Sylvie Danton and Maurice Pialat (based on the novel of Georges Bernanos)</p>
<p>Muzika:Henri Dutilleux</p>
<p>Fotografija:Willy Kurant</p>
<p>Produkcija:Erato Films, Films A2</p>
<p>&nbsp;</p>
<p>sinopsis:</p>
<p>Mlada Mouchette (Sandrine Bonnaire), šesnaestogodišnjakinja, je ubila svog ljubavnika. Iako svi veruju da je u pitanju bilo samoubistvo, tinejdžerka odlučuje da se poveri ocu  Donissan-u (Gérard Depardieu), seoskom svešteniku. Čudan odnos, bolestan i pretvoran,  razvija se između njih&#8230;</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><strong>Utorak, 28.06.2011,<strong>20h</strong></strong></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">Les tontons flingueurs</span> (1963) 106 min</span></p>
<p><a rel="attachment wp-att-1152" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomija-francuskog-filma/attachment/les-tontons-flingueurs-25/"><img class="alignleft size-medium wp-image-1152" title="les tontons flingueurs 25" src="http://www.vega.org.rs/files/les-tontons-flingueurs-25-233x300.jpg" alt="" width="233" height="300" /></a>režija: Georges Lautner</p>
<p>scenario:Albert Simonin, Michel Audiard</p>
<p>muzika:Michel Magne</p>
<p>zvuk:Antoine Archimbaud Daniel Brisseau</p>
<p>fotografija:Maurice Fellous</p>
<p>produkcija:Alain Poiré</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p>Sinopsis:</p>
<p>Fernand Naudin (mafijaš) obećava svom prijatelju na samrti &#8220;Meksikancu&#8221;, da će se brinuti o njegovoj ćerki Patriciji i paziti na njihov posao, pošto se banda sprema da preuzme reon suparničkog klana.</p>
<p>I danas vrlo popularan film u Francuskoj, sa briljantnom podelom uloga i divnim dijalozima  Michel Audiard-a, takođe kroz film možemo da vidimo kraj pedessetih i početak šezdesetih.</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><strong>Utorak, 05.07.2011,<strong>20h</strong></strong><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">Playtime</span> (1967) 126 min</span></p>
<p><a rel="attachment wp-att-1165" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/anatomija-francuskog-filma/attachment/play_time/"><img class="alignleft size-medium wp-image-1165" title="play_time" src="http://www.vega.org.rs/files/play_time-225x300.jpg" alt="" width="225" height="300" /></a>režija:Jacques Tati</p>
<p>Scenario:Jacques Tati and Jacques Lagrange</p>
<p>Muzika:Francis Lemarque, David Stein</p>
<p>Fotografija:Jean Badal, Andreas Winding</p>
<p>Produkcija:Specta Films</p>
<p>&nbsp;</p>
<p>sinopsis:</p>
<p>Na aerodromu Orli, u zoru, grupa americkih turista stize u jednodnevnu posetu. Šetaju ultra-modernim robotizovanim Parizom. Gospodin Hulot se i sam gubi u ovom ogromnom paklu čelika i stakla&#8230;</p>
<p>&nbsp;</p>
<p><span style="font-size: small; color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small; color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><strong>Filmove će (na lošem engleskom:) predstavljati naš volonter iz Francuske, Alban, koji je zavrsio režiju u Parizu.</strong></p>
<p><strong>Svi filmovi će imati titl na engleskom</strong></p>
<p><strong>Dobrodošli!</strong></p>
<p><span style="font-size: medium;"><br />
</span></p>
<p>&nbsp;</p>
]]></content:encoded>
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		</item>
		<item>
		<title>male-lične-revelacije</title>
		<link>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/</link>
		<comments>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 07:55:25 +0000</pubDate>
		<dc:creator>dubravka.obradovic</dc:creator>
				<category><![CDATA[Puškice iz vizuelnih kultura]]></category>

		<guid isPermaLink="false">http://dev.vega.org.rs/?p=942</guid>
		<description><![CDATA[Posle izleta u Poljsku, ponovo listamo puškice, počevši ovog puta od jednog eksperimenta inspirisanog kolaborativnom/internet kuturom : 24. jula 2010., ljudi iz 192 različite zemlje snimili su peko 50 000 sati materijala i aploudovali ga na Youtube kako bi učestvovali u dokumentovanju života onakvog kakav je bio tog dana na planeti. Ovaj ambiciozni poduhvat produciran [...]]]></description>
			<content:encoded><![CDATA[<p>Posle izleta u Poljsku, ponovo listamo puškice, počevši ovog puta od jednog eksperimenta inspirisanog kolaborativnom/internet kuturom : 24. jula 2010., ljudi iz 192 različite zemlje snimili su peko 50 000 sati materijala i aploudovali ga na Youtube kako bi učestvovali u dokumentovanju života onakvog kakav je bio tog dana na planeti.</p>
<p>Ovaj ambiciozni poduhvat produciran je od strane samog Youtube-a i Tonija i Ridlija Skota, a režirao ga je Kevin Mekdonald (dokumentarista koji je 2006 dobio Oskara  za igrano ostvarenje The Last King of Scotland).</p>
<p>Pre nekoliko godina, jedan prijatelj (hvala ti Petre:) poslao mi je link na čijem sam kraju pronašla predavanje Majka Veša (Mike Wesch), profesora kulturne antropologije iz Kanzasa, koji tamo drži katedru digitalne etnografije. (Kako to sam objašnjava : etnografija je proučavanje kulture/digitalna etnografija: proučavanje onlajn kulture). Ključna karakteristika kulturne antropologije je specifičan metod proučavanja, nazvan opservacija sa participacijom – što znači da u idealnoj odnosno tradicionalnoj situaciji, na kraju svojih studija, svaki antropolog izabere „svoj narod“ i provodi sa njima duže vremenske periode, opisujući ih i učestvujući u njihovim običajima. Ukratko, Mike Wesch i njegovi postdiplomci su izabrali Youtube zajednicu za svoje pleme i odlučili da učestvuju u njoj. Razlike u odnosu na bilo koju do sada proučavanu zajednicu su zaista uzbudljive, počev od načina na koji se uspostavljaju odnosi, stvaraju značenja, percipira lični i javni prostor, uobličava samosvest i identiteti.. – proučavanjem Youtube zajednice dolazimo do sasvim sveže slike međuljudskih odnosa, odnosno definicije kulture.</p>
<p>Da zaključim, pre nego što odem predaleko, predavanje je i dalje aktuelno i inspirativno i preporučujem ga svima:<br />
<iframe title="YouTube video player" width="480" height="390" src="http://www.youtube.com/embed/TPAO-lZ4_hU" frameborder="0" allowfullscreen></iframe><br />
Ono što <em>Life in a Day</em> možda čini uspešnim eksperimentom je činjenica da nam se kroz film mnoštvo međusobno različitih, svakodnevnih i sasvim običnih tema otkrivaju kao čudesni i zanimljivi trenutci, snimljeni kroz često drhteće ali i nepredvidive oči kućnih kamera. Tako sam stigla do teme o kojoj ćemo pričati uz sledeću selekciju filmova: istraživanja svakodnevnog i sasvim-običnog života u u potrazi za  fantastičnim, zastrašujućim, urnebesno smešnim, potpuno očajnim-divnim i sasvim neizmišljenim stvarima. Seriju ćemo završiti, sasvim predvidivo, jednom nadahnutom istraživačkom meditacijom o nepoznatom.</p>
<p>Vidimo se svakog utorka u 20h.</p>
<p><strong>PROGRAM</strong></p>
<p>22. II 2011.<br />
<a href="#C1"><strong>LIFE IN A DAY (2011.)</strong></a><br />
rezija: Kevin Macdonald</p>
<p>01. III 2011.<br />
<a href="#C2"><strong> LAST TRAIN HOME (2009.)</strong></a><br />
rezija: Lixin Fan</p>
<p>08.III 2011.<br />
<a href="#C3"><strong> IRAQ IN FRAGMENTS (2006)</strong></a><br />
rezija: James Longley</p>
<p>15. III 2011.<br />
<a href="#C4"><strong> THE KING OF KONG : A FISTFUL OF QUARTERS (2007.)</strong></a><br />
rezija : Seth Gordon</p>
<p>22.III 2011.<br />
<a href="#C5"><strong> TARNATION (2003.)</strong></a><br />
rezija: Johnattan Cahouette</p>
<p>29. III 2011.<br />
<a href="#C6"><strong> N!AI: THE STORY OF A !KUNG WOMAN (1980.)</strong></a><br />
rezija:  John Marshall and Adrienne Linden</p>
<p>05. IV 2011.<br />
<a href="#C7"><strong> FAST, CHEAP AND OUT OF CONTROL (1997.)</strong></a><br />
rezija: Errol Morris</p>
<p>12.IV 2011.<br />
<a href="#C8"><strong> ENCOUNTERS AT THE END OF THE WORLD (2007.)</strong></a><br />
rezija: Werner Herzog</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><a rel="attachment wp-att-960" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/attachment/life_in_a_day_movie_promo_poster_01-559x600/"><img class="alignleft size-medium wp-image-960" title="life_in_a_day_movie_promo_poster_01-559x600" src="http://www.vega.org.rs/files/life_in_a_day_movie_promo_poster_01-559x600-279x300.jpg" alt="" width="197" height="212" /></a>22. II 2011.<br />
<a name="C1"> LIFE IN A DAY (2011.)</a><br />
rezija: <a href="http://www.imdb.com/name/nm0531817/">Kevin Macdonald</a> ; produkcija: Scott Free/YouTube<br />
<a href="http://www.imdb.com/title/tt1687247/">http://www.imdb.com/title/tt1687247/</a><br />
Sinopsis: Life in a Day je eksperimentalni projekat inspirisan najboljim mogućnostima koje je otvorio internet &#8211; kolaboracijom i učestvovanjem  stotina ljudi širom planete. Ideja je bila jednostavna: Ljudi širom sveta su poslali klipove iz svojih života, snimljene tokom 24.jula 2010., a režiser je sastavio “kolaž” od prispelih klipova. Na diskusiji posle projekcije na ovogodišnjem Sandens Festivalu, govorilo se o tome da ovaj projekat nije završen, odnosno da verzija filma može biti onoliko koliko će biti reditelja koji će uzeti scene i sastaviti ih u film.<br />
zvanični youtube kanal sa trejlerima i recenzijama:<br />
<a href="http://www.youtube.com/user/lifeinaday?blend=2&amp;ob=1">http://www.youtube.com/user/lifeinaday?blend=2&amp;ob=1</a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<br />
</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><a rel="attachment wp-att-963" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/attachment/lasttrainhome_poster_medres/"><img class="alignleft size-medium wp-image-963" title="LastTrainHome_poster_medres" src="http://www.vega.org.rs/files/LastTrainHome_poster_medres-205x300.jpg" alt="" width="182" height="267" /></a>01. III 2011.<br />
<a name="C2"> LAST TRAIN HOME (2009.)</a><br />
rezija:<a href="http://www.imdb.com/name/nm2887720/"> Lixin Fan</a><br />
<a href="http://www.imdb.com/title/tt1512201/">http://www.imdb.com/title/tt1512201/</a><br />
Sinopsis: Svake godine, tokom proslave lunarne/kineske Nove Godine ,  događa se ‘najveća masovna migracija na svetu’: 130 miliona radnika iz industrijskih centara gužvaju se u prepunim vozovima kako bi posetili svoje porodice u ruralnim oblastima Kine. Ovako izražena, ova privremena promena populacije, jedna je od onih statistika koje je nemoguće razumeti. Stotinu i trideset miliona ljudi, na putu sa posla do svojih porodica, privremeno gase pogone koje pokreću mašineriju globalnog potrošačkog kapitalizma. Kako to izgleda? Šta to znači? Kako bi ponudio odgovor na ova pitanja Lixing Fan se ukrcava u jedan od vozova fokusirajući se na bračni par kroz čiju priču će doći do bolne, lokalne iluminacije ovog ogromnog i komplikovanog lokalnog fenomena.<br />
Trejler: <a href="http://www.youtube.com/watch?v=0N6vDotVNDo">http://www.youtube.com/watch?v=0N6vDotVNDo</a><br />
Zvanični sajt: <a href="http://www.last-train.com/">http://www.last-train.com/</a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><a rel="attachment wp-att-964" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/attachment/1293820782221iraqg/"><img class="alignleft size-medium wp-image-964" title="1293820782221iraqg" src="http://www.vega.org.rs/files/1293820782221iraqg-203x300.jpg" alt="" width="172" height="255" /></a>08.III 2011.<br />
<a name="C3"> IRAQ IN FRAGMENTS (2006)</a><br />
rezija: <a href="http://www.imdb.com/name/nm1228118/">James Longley</a><br />
<a href="http://www.imdb.com/title/tt0492466/">http://www.imdb.com/title/tt0492466/</a><br />
Sinopsis: Izvanredni dokumentarac James-a Longley-ja predstavlja portret svakodnevnih života u posleratnom Iraku. Struktura i tok filma osvetljavaju autorovu pozadinsku političku izjavu: Irak je podeljen. Široko uzev, u Iraku postoje tri fragmenta: u centru su Sunnis (suniti?) grupacija iz koje je iznikao Sadam i njegov establišment.; Na jugu su ?Šiiti, koji su u filmu predstavljeni kao centar osvetničkog novog militantizma; Na severu: Kurdi koji su spočetka okupacije sarađivali sa Američkoanglikanskim okupatorima kao oslobodiocima od dotadašnje opresije. Snimljen u verité  stilu, kroz razgovore običnih ljudi, bez prethodno napisanog vojs overa, film efektno dočarava rastrzanost koja čini svakodnevicu današnjeg Iraka.<br />
Trejler:<a href="http://www.youtube.com/watch?v=Z39tD1wK6wA"> http://www.youtube.com/watch?v=Z39tD1wK6wA</a><br />
Zvanični sajt: <a href="http://www.iraqinfragments.com/">http://www.iraqinfragments.com/</a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><a rel="attachment wp-att-965" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/attachment/the-king-of-kong-a-fistful-of-quarters-movie-poster-1/"><img class="alignleft size-medium wp-image-965" title="the-king-of-kong-a-fistful-of-quarters-movie-poster-1" src="http://www.vega.org.rs/files/the-king-of-kong-a-fistful-of-quarters-movie-poster-1-200x300.jpg" alt="" width="174" height="262" /></a>15. III 2011.<br />
<a name="C4"> THE KING OF KONG : A FISTFUL OF QUARTERS (2007.)</a><br />
rezija : <a href="http://www.imdb.com/name/nm1164861/">Seth Gordon</a><br />
<a href="http://www.imdb.com/title/tt0923752/">http://www.imdb.com/title/tt0923752/</a><br />
Sinopsis: Ovaj izuzetno duhovit i intaligetno montiran film, prati tenziju između Billy Mitchell-a , gejmera veka iz osamdesetih, zvaničnog šampiona u Donkey Kong igrici,  i potpunog autsajdera, srednjoškolskog nastavnika Steve-a Wiebe-a , koji 2003 uspeva da obori Mitchellov rekord. Tokom filma, naoko dosadna tema postaje sve ličnija i interesantnija. Rivalstvo među protagonistima razvija se, ne jednostavno u epsku priču o borbi između Davida i Golijata već u priču o borbi između dobra i zla. Bez preterivanja.<br />
Trejler: <a href="http://www.youtube.com/watch?v=xMJZ-_bJKdI">http://www.youtube.com/watch?v=xMJZ-_bJKdI</a><br />
Zvanični sajt: <a href="http://www.newline.com/properties/kingofkongtheafistfulofquarters.html">http://www.newline.com/properties/kingofkongtheafistfulofquarters.html</a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><a rel="attachment wp-att-968" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/attachment/tarn/"><img class="alignleft size-medium wp-image-968" title="tarn" src="http://www.vega.org.rs/files/tarn-210x300.jpg" alt="" width="177" height="253" /></a>22.III 2011.<br />
<a name="C5"> TARNATION (2003.)</a><br />
rezija: <a href="http://www.imdb.com/name/nm1503401/">Johnattan Cahouette</a><br />
<a href="http://www.imdb.com/title/tt0390538/">http://www.imdb.com/title/tt0390538/</a><br />
Sinopsis: Film je niskobudžetno proizvedena priča Johnattana Cahouette-a o sopstvenom odrastanju u malom gradu u Teksasu, i njegovoj komplikovanoj ali neprekinutoj vezi sa svojom majkom Rene. Sastavljen od porodične kolekcije fotografija, audio i video (super 8 i VHS) zapisa i klipova sa televizije, Tarnation je kaleidoskop kompjuterski izvedene monaže kojom se transformišu skoro neprijatno intimni porodični podaci u nešto što bi se moglo opisati kao: voajerski ekspoze , gotička bajka, psihodelični dnevnik , patetična ispovest, art terapija, odavanje narcisizmu ili poziv u pomoć inspirisan reality TV-om. Ono što ovaj devedesetominutni foto-audio esej čini izuzetnim je što on, uprkos svemu, uspeva da iznese priču, i to sasvim dobro. (dovoljno dobro da dobije produkcijsku podršku John Cameron Mitchell-a (Shortbus) i Gus-a Van Santa, te da film čija je produkcija inicijalno koštala oko 200 dolara, u postprodukciji dobije budžet od oko 400 000 , većina od čega je potrošena na otkupljivanje autorskih prava na muziku i inserte koje je koristio)<br />
Trejler: <a href="http://www.youtube.com/watch?v=mLDQL23nutw">http://www.youtube.com/watch?v=mLDQL23nutw</a><br />
Zvanični sajt/ blog Johnattan Cahouette-a : <a href="http://jonathancaouette.blogspot.com/">http://jonathancaouette.blogspot.com/</a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><a rel="attachment wp-att-970" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/attachment/nai2/"><img class="alignleft size-medium wp-image-970" title="N!ai2" src="http://www.vega.org.rs/files/Nai2-194x300.jpg" alt="" width="178" height="276" /></a>29. III 2011.<br />
<a name="C6"> N!AI: THE STORY OF A !KUNG WOMAN (1980.)</a><br />
rezija:  <a href="http://www.imdb.com/name/nm0550967/">John Marshall</a> and Adrienne Linden<br />
<a href="http://www.imdb.com/title/tt0212371/">http://www.imdb.com/title/tt0212371/</a><br />
Sinopsis: Antropološki klasik John-a Marshalla, prati ispovest N!ai, koju je autor snimao u više navrata od kad je bila devojčica, 1950-tih pre nego je nomadsko njeno pleme (K!ung su pripadnici naroda San tzv“Bušmani” iz Kalahari pustinje – severoistočna  Namibija) primorano da se stalno naseli u vladinom rezervatu. Maršal je tamo ponovo pronalazi dvadeset godina posle prve ekspedicije i prikazuje pad čitave kulture kroz njenu ličnu priču. Sačinjen kao plod višegodišnjeg antropološkog istraživanja, film predstavlja riznicu informacija o kulturnoj promeni, kolonijalizmu, Africi, rodnim ulogama, konfliktu, društvenoj stratifikaciji, i zasnovan je na dugogodišnjim interakcijama ovog plemena sa antropolozima. Pripremu za intervjue sa N!ai je radila <a href="http://en.wikipedia.org/wiki/Marjorie_Shostak">Marjorie Shostak</a>, koja je svojom knjigom o pripadnici !Kung plemena postavila standarde u pisanju antropoloških monografija.<br />
Insert: <a href="http://www.youtube.com/watch?v=_nygexkKha0">http://www.youtube.com/watch?v=_nygexkKha0</a><br />
Zvanični sajt:<a href="http://der.org/films/nai-kung-woman.html">http://der.org/films/nai-kung-woman.html</a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><a rel="attachment wp-att-971" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/attachment/mpw-52076/"><img class="alignleft size-medium wp-image-971" title="MPW-52076" src="http://www.vega.org.rs/files/MPW-52076-199x300.jpg" alt="" width="181" height="273" /></a>05. IV 2011.<br />
<a name="C7"> FAST, CHEAP AND OUT OF CONTROL (1997.)</a><br />
rezija: <a href="http://www.imdb.com/name/nm0001554/">Errol Morris</a><br />
<a href="http://www.imdb.com/title/tt0119107/">http://www.imdb.com/title/tt0119107/</a><br />
Sinopsis:Film proslavljenog dokumentariste Errol-a Morris-a (&#8221;The Thin Blue Line&#8221;, &#8221;A Brief History of Time&#8221;, &#8220;Fog Of War&#8221;) istražuje misli četiri vizionara : state-of-the-art baštovana , ukrotitelja lavova, inženjera robotike i zoologa- eksperta za specifičnu vrstu afričkih pacova (naked mole rats). Sva četiri sagovornika su zanimljiva, ali je sasvim sigurno najfascinantniji protagonista sam autor, koji uspeva da nauku, filozofiju, umetnost, i čistu dovitljivost pretvori u elaboriranu meditaciju o misterijama ljudske prirode. Morris je isto toliko dobar predavač koliko je dobar režiser, a to mnogo govori.<br />
Trejler:<a href="http://www.youtube.com/watch?v=wFukiQOvDYs">http://www.youtube.com/watch?v=wFukiQOvDYs</a><br />
Sajt Errol-a Morris-a:<a href="http://www.errolmorris.com/film/fcooc.html">http://www.errolmorris.com/film/fcooc.html</a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><a rel="attachment wp-att-972" href="http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/attachment/encounterssmall/"><img class="alignleft size-medium wp-image-972" title="encounterssmall" src="http://www.vega.org.rs/files/encounterssmall-200x300.jpg" alt="" width="179" height="269" /></a>12.IV 2011.<br />
<a name="C8"> ENCOUNTERS AT THE END OF THE WORLD (2007.)</a><br />
rezija: <a href="http://www.imdb.com/name/nm0001348/">Werner Herzog</a><br />
<a href="http://www.imdb.com/title/tt1093824/">http://www.imdb.com/title/tt1093824/</a><br />
Sinopsis: Naslov filma ima dvostruko značenje: Dok putuje do južnog pola, što je kraj sveta po mnogim merilima, Hercog takođe putuje do mogućnosti post-ljudskog sveta: dok posećuje čudnovati tunel , duboko pod večnim ledom dekorisan raznim suvenirima, uključujući smrznutu ribu koja je daleko odlutala od svojih voda, pita se: Kako bi putnici sa drugih svetova mogli ovo da tumače, posmatrajući ove prizore, ako posete Zemlju dugo pošto naša civilizacija nestane? U ovom filmu Verner Hercog je, zajedno sa snimateljem Peter Zeitlinger-om, došao da provede neko vreme u istraživačkoj stanici  McMurdo, najvećem naseljenom mestu na Anktartiku. Hercog se kroz svoj filmski opus već predstavio kao romantični vagabond koga privlače ekstremi, i u istraživačkoj stanici nailazi na grupu osobenjaka kakve smo navikli da gledamo u njegovim ostvarenjima. Svakako ovaj film nije puki putopis ili izložba frikova, već sjajno izvedena vizuelna poema o čudesnosti i lepoti. Verovatno već znate da je Hercog nešto savim posebno; on ima sopstveni filmski jezik, i gledajući kroz njegov objektiv  videćemo svet neizmerno širi i čudniji nego što nam se čini.<br />
Trejler: <a href="http://www.youtube.com/watch?v=R3leTaf2Txw">http://www.youtube.com/watch?v=R3leTaf2Txw</a><br />
Zvanični sajt:<a href="http://encountersfilm.com/"> http://encountersfilm.com/</a></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
]]></content:encoded>
			<wfw:commentRss>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/male-licne-revelacije/feed/</wfw:commentRss>
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		</item>
		<item>
		<title>NE PITAJ ZA POLJSKU</title>
		<link>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/ne-pitaj-za-poljsku/</link>
		<comments>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/ne-pitaj-za-poljsku/#comments</comments>
		<pubDate>Wed, 19 Jan 2011 20:27:28 +0000</pubDate>
		<dc:creator>dubravka.obradovic</dc:creator>
				<category><![CDATA[Puškice iz vizuelnih kultura]]></category>

		<guid isPermaLink="false">http://dev.vega.org.rs/?p=676</guid>
		<description><![CDATA[Projekcije poljskih igranih filmova
Utorkom od 20h]]></description>
			<content:encoded><![CDATA[<h2><em>Projekcije poljskih igranih filmova<br />
utorkom od 20h</em></h2>
<p><img class="alignleft size-medium wp-image-677" title="ne-pitaj-za-poljsku-small" src="http://www.vega.org.rs/files/ne-pitaj-za-poljsku-small-300x212.jpg" alt="" width="300" height="212" />Ovomesečni ciklus filmova sačinjen je od remek dela savremene poljske kinematografije. Filmovi koje ćemo gledati pretstavljaju pažljivo iznijansirane žanrove i tematike, predstavljene kroz komediju, dramatičnu muzičku biografiju u rock maniru i teme koje diraju u ozbiljnu i osetljivu situaciju i događaje u poljskoj javnosti danas.</p>
<p style="clear: both;">
<p><strong>18.januar </strong></p>
<p><a href="#C4"><strong>Dzień świra &#8211; Luđakov dan (2002)</strong></a></p>
<p>režiser: Marek Koterski</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><strong>25.januar </strong></p>
<p><a href="#C3"><strong>Chłopaki nie płaczą &#8211; Dečaci ne plaču(2000)</strong></a></p>
<p>režiser: Olaf Lubaszenko</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><strong>01.februar </strong></p>
<p><a href="#C2"><strong>Skazany na bluesa &#8211; Obeležen bluzom(2005) </strong></a></p>
<p>režiser: Jan Kidawa-Błoński</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p><strong>08,februar </strong></p>
<p><a href="#C1"><strong>Różyczka &#8211; Ružica (2010)</strong></a></p>
<p>režiser: Jan Kidawa-Błoński</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p><strong>15.februar </strong></p>
<p><a href="#C5"><strong>Rewers &#8211; Obrt (2009)</strong></a></p>
<p>režiser: Borys Lankosz</p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<br />
</span></p>
<p><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<h2><a name="C4">Dzień świra &#8211; Luđakov dan (2002)</a></h2>
<p><strong>reditelj:</strong> Marek Koterski<br />
<strong>glume: </strong>Marek Kondrat, Piotr Machalica, Joanna Sienkiewicz, Michał Koterski</p>
<p><a href="http://www.vega.org.rs/wp-content/uploads/poster-794.jpg"><img class="alignleft size-medium wp-image-513" title="poster-794" src="http://www.vega.org.rs/wp-content/uploads/poster-794-208x300.jpg" alt="" width="208" height="300" /></a></p>
<p lang="hr-HR">Najbolji poljski film za 2002 g. Dobio je nagradu Zlatni Lavovi na festivalu u Gdyni.</p>
<p lang="hr-HR">Ovaj film je u mnogim boxoffisima proglašen jednim od najvažnijih dela poljske</p>
<p>kinematografije.Gorka komedija, u kojoj je glavni junak  Adaś Miauczyński, čovek</p>
<p>u srednjim godinama, u čijem je životusvakih narednih pet minuta pravi pakao.</p>
<p>On mrzi život, a posebno sebe samog.Kontakt sa drugim ljudima izaziva u njemu agresiju.</p>
<p>Ima numeromaniju i  ablutomaniju.U toku jednog  dana, u kojem se i čitava radja filma odvija,</p>
<p>smeštene su sve moguće neprijatnosti svakodnevnog života.</p>
<p>Istovremeno Adaś sanja o romantičnoj ljubavi, iako je svestan da njegove manije</p>
<p>onemogućavaju ostvarenje te želje.</p>
<p>Gledajući ovaj film pronalazimo sebe, jer shvatamo da se i mi možemo na neki način poistovetiti sa opsesijama</p>
<p>glavnog junaka.Adaś Miauczyński je svako od nas, ko se bori sa rutinom svakodnevnice, mrzimo svoje komšije i</p>
<p>ljude u gradskom prevozu, ne volimo svoj posao.</p>
<p lang="hr-HR"><strong>TREJLER:</strong><br />
<a href="http://www.youtube.com/watch?v=HKkZZ0o5Mas"> http://www.youtube.com/watch?v=HKkZZ0o5Mas</a></p>
<p lang="hr-HR"><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p lang="hr-HR"><span style="color: #ffffff;">&#8230;&#8230;..</span></p>
<h2><a name="C3">Chłopaki nie płaczą &#8211; Dečaci ne plaču (2000)</a></h2>
<p lang="hr-HR"><strong>reditelj:</strong> Olaf Lubaszenko<br />
<strong>glume:</strong> Maciej Sztur, Cezary Pazura, Michał Milowicz, Wojciech Klata</p>
<p lang="hr-HR"><a href="http://www.vega.org.rs/wp-content/uploads/chêopaki-nie-pêaczÑ.jpg"><img class="alignleft size-full wp-image-514" title="chêopaki nie pêaczÑ" src="http://www.vega.org.rs/wp-content/uploads/chêopaki-nie-pêaczÑ.jpg" alt="" width="189" height="266" /></a>U ovoj gangsterskoj komediji sa elementima akcije radnja se dešava u današnjoj Varšavi.</p>
<p lang="hr-HR">Mladi violinista Kuba i njegov stidljivi prijatelj Oskar žele da se upoznaju sa nekim devojkama.</p>
<p lang="hr-HR">Naručuju cure iz javne kuće i tom prilikom se upletu u priču sa poljskom mafijom.</p>
<p lang="hr-HR">Ovo je brza akcija sa puno humora i dijaloga koji su postali kultni među poljskom omladinom.</p>
<p><strong>TREJLER:</strong><br />
<a href="http://www.youtube.com/watch?v=6jdXfiFgxFM">http://www.youtube.com/watch?v=6jdXfiFgxFM</a></p>
<p lang="hr-HR"><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<p lang="hr-HR"><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<br />
</span></p>
<p lang="hr-HR"><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</span></p>
<p lang="hr-HR"><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<h2 lang="hr-HR"><a name="C2">Skazany na bluesa &#8211; Obeležen bluzom (2005)</a></h2>
<p lang="hr-HR"><strong>reditelj:</strong> Jan Kidawa-Błoński<br />
<strong>glume: </strong>Tomasz Kot, Jolanta Fraszyńska, Maciej Balcar</p>
<p lang="hr-HR"><a href="http://www.vega.org.rs/wp-content/uploads/skazany-na-bluesa.jpg"><img class="alignleft size-full wp-image-515" title="skazany na bluesa" src="http://www.vega.org.rs/wp-content/uploads/skazany-na-bluesa.jpg" alt="" width="188" height="268" /></a></p>
<p>Muzički film  &#8211; priča o Ryśku Riedlu, lideru legendarnog rock-blues banda Dżem.</p>
<p>Film prikazuje njegovo detinstvo, odnose sa roditeljima i suprugom, razvoj karijere i zavisnost od heroina.</p>
<p>Riedel je postao legenda, poput Jima Morrisona, Janis Joplin i drugih. Umro je mlad  ali je ostavio  puno</p>
<p>fantastičnih pesama. Prvi put se dogodilo da u javnosti da toliku pažnju  izazove heroinska smrt.</p>
<p>U filmu su korišćeni arhivski video materijali i originalni muzički snimci, a u snimanju su</p>
<p>učestvovali i članovi samog benda Dżem.</p>
<p>Film je puno puta osvojio značajne nagrade na filmskim festivalima u Poljskoj.</p>
<p lang="hr-HR"><strong>TREJLER:<br />
<a href="http://www.youtube.com/watch?v=zgurFzMbV3c&amp;feature=related">http://www.youtube.com/watch?v=zgurFzMbV3c&amp;feature=related</a></strong></p>
<p lang="hr-HR"><span style="color: #ffffff;"><strong>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</strong></span></p>
<p lang="hr-HR"><span style="color: #ffffff;"><strong>,&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</strong></span></p>
<h2><a name="C1">Różyczka &#8211; Ružica (2010)</a></h2>
<p lang="hr-HR">
<p lang="hr-HR"><span style="font-size: small;"><strong>reditelj:</strong> Jan Kidawa-Błoński<br />
<strong>glumci:</strong> Andrzej Seweryn, Magdalena Boczarska, Robert Więckiewicz, Krystyna Janda</span></p>
<p lang="hr-HR"><a href="http://www.vega.org.rs/wp-content/uploads/rozyczka.jpg"><img class="alignleft size-full wp-image-516" title="rozyczka" src="http://www.vega.org.rs/wp-content/uploads/rozyczka.jpg" alt="" width="193" height="262" /></a></p>
<p lang="hr-HR"><span style="font-size: small;">Poznati pisac (Andrzej Seweryn) ulazi u avanturu sa  lepom, mnogo mlađom ženom (Magdalena Boczarska). </span></p>
<p lang="hr-HR"><span style="font-size: small;">Uprkos uobičajnoj podozrivosti društva zbog velike razlike u godinama, materijalnog i socijalnog statusa </span></p>
<p lang="hr-HR"><span style="font-size: small;">venča se sa njom. Zaslepljen  emocijama ne sumnja da njihova veza slučajnost. Živeo je u zabludi ne znajući </span></p>
<p lang="hr-HR"><span style="font-size: small;">da se njegova voljena tajno vidja sa drugim muškarcem sa kojim ne deli samo veliku strast već i strašnu tajnu. </span></p>
<p lang="hr-HR"><span style="font-size: small;">Upletena u nemoralnu romansu sa tajnim agentom prosledjuje mu diskreditujuće informacije o svom piscu. </span></p>
<p lang="hr-HR"><span style="font-size: small;">Strastvena fascinacija ljubavnikom polako se pretvara u priču prožetu dubokim emocijama, iako i sama zna </span></p>
<p lang="hr-HR"><span style="font-size: small;">da je ništa drugo do deo organizovane i dobro osmišljene akcije tajnih službi. </span></p>
<p lang="hr-HR"><span style="font-size: small;">Ova priča je zasnovana na istinitim događajima  iz poljske šezdesetih. </span></p>
<p><strong>TREJLER:</strong><br />
<a href="http://www.youtube.com/watch?v=d7l_PYVmv4w"><span style="color: #0000ff;">http://www.youtube.com/watch?v=d7l_PYVmv4w</span></a></p>
<p lang="hr-HR"><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span></p>
<p lang="hr-HR"><span style="color: #ffffff;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</span></p>
<h2 lang="hr-HR"><a name="C5">Rewers &#8211; Obrt (2009)</a></h2>
<p lang="hr-HR">
<p lang="hr-HR"><strong>reditelj:</strong> Borys Lankosz<br />
<strong>glumci:</strong> Agata Buzek, Krystyna Janda, Anna Polony, Marcin Dorociński</p>
<p lang="hr-HR"><a href="http://www.vega.org.rs/wp-content/uploads/rewers.jpg"><img class="alignleft size-full wp-image-517" title="rewers" src="http://www.vega.org.rs/wp-content/uploads/rewers.jpg" alt="" width="191" height="264" /></a>Priča o ženama isprepletena događajima iz Varšave  pedesetih i danas. Glavna junakinja je sramežljiva tridesetogodišnja</p>
<p lang="hr-HR">Sabina. Njena majka upoznata sa time da Sabini treba muškarac uporno pokušava da za svoju kćerku pronađe dobrog kandidata .</p>
<p lang="hr-HR">U čitavu situaciju se upleće i ekscentrična i pomalo luda baka, koja svojim oštrim jezikom nedozvoljava nijednoj tajni da</p>
<p lang="hr-HR">opstane kao takva . Uprkos naporima njene majke Sabina ne pokazuje nikakvo interesovanje za udvarače. Iznenada se jednog</p>
<p lang="hr-HR">dana niotkuda pojavljuje šarmantni, inteligentni i neverovatno zgodni Bronisław. Njegovo prisustvo uzrokuje seriju neočekivanih</p>
<p lang="hr-HR">događaja, koji će dati uvid u mračne strane prirode žene.</p>
<p lang="hr-HR">Film je nominovan za Oskara 2009.</p>
<p lang="hr-HR"><strong>TREJLER:<br />
<a href="http://www.youtube.com/watch?v=7noe5w1xCkw">http://www.youtube.com/watch?v=7noe5w1xCkw</a></strong></p>
<p lang="hr-HR"><span style="color: #ffffff;"><strong>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<br />
</strong></span></p>
<p lang="hr-HR"><span style="color: #ffffff;"><strong>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</strong></span></p>
<p lang="hr-HR"><strong><strong>SVI FILMOVI IMAJU TITL NA ENGLESKOM</strong></strong></p>
<p><strong>ULAZ DZ</strong></p>
<p><strong>ADRESA:</strong></p>
<p><strong><strong>BULEVAR KRALJA ALEKSANDRA 93, </strong></strong></p>
<p><strong><strong>CRVENA VRATA U HAUSTORU</strong></strong></p>
<p><span style="color: #ffffff;"><strong>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</strong></span></p>
<p><strong>Filmove će predstavljati Zuza Szymanowska, EVS volonterka u Vegi.</strong></p>
<p><strong>Zuza je autorka radio emisije NE PITAJ ZA POLJSKU</strong></p>
<p><strong>koja ide sredom od 18-20h na <a href="http://www.nrbg.rs/">NovomRadijuBeograd</a></strong></p>
<p lang="hr-HR">
<p lang="sh-YU">
<p lang="sh-YU">
<p lang="sh-YU">
]]></content:encoded>
			<wfw:commentRss>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/ne-pitaj-za-poljsku/feed/</wfw:commentRss>
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		</item>
		<item>
		<title>Decembar 2010</title>
		<link>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/decembar-2010/</link>
		<comments>http://www.vega.org.rs/puskice-iz-vizuelnih-kultura/decembar-2010/#comments</comments>
		<pubDate>Wed, 19 Jan 2011 19:56:50 +0000</pubDate>
		<dc:creator>dubravka.obradovic</dc:creator>
				<category><![CDATA[Puškice iz vizuelnih kultura]]></category>

		<guid isPermaLink="false">http://dev.vega.org.rs/?p=658</guid>
		<description><![CDATA[07-12-2010&#62; CANNIBAL TOURS, Dennis O&#8217;Rourke 14-12-2010&#62; MEGACITIES, Michael Glawogger 21-12-2010&#62; PERFUMED NIHTMARE, Kidlat Tahimik 28-12-2010&#62; MANUFACTURED LANDSCAPES, Jennifer Baichwall The Self – Discovery Channel Naslovi kojim započinjemo treću sezonu Puškica pomalo podsećaju na dnevni TV program The Discovery, National Geographic, Explorer i sličnih-im kanala: tu su egzotične destinacije, čudni običaji, nesvakidašnji pejzaži, istraživački putopisi&#8230; Vizuelna [...]]]></description>
			<content:encoded><![CDATA[<p><a href="#C4">07-12-2010&gt; <em>CANNIBAL TOURS, Dennis O&#8217;Rourke</em></a></p>
<p><a href="#C3">14-12-2010&gt; MEGACITIES, <em>Michael Glawogger</em></a></p>
<p><a href="#C2">21-12-2010&gt; PERFUMED NIHTMARE, <em>Kidlat Tahimik</em></a></p>
<p><a href="#C1">28-12-2010&gt; MANUFACTURED LANDSCAPES, <em>Jennifer Baichwall</em></a></p>
<p lang="sh-YU"><em><strong>The Self – Discovery Channel</strong></em></p>
<p>Naslovi kojim započinjemo treću sezonu Puškica pomalo podsećaju na dnevni TV program <em>The Discovery, National Geographic, Explorer</em> i sličnih-im kanala: tu su <em>egzotične</em> destinacije, čudni običaji, nesvakidašnji pejzaži, istraživački putopisi&#8230;</p>
<p>Vizuelna (TV) putovanja su danas, nesumnjivo, dominantan način upoznavanja drugih kultura. Antropologija je nauka čiji je predmet proučavanja (u)poznavanje kultura. Pozadinski koncept je isti, ali ono što na TV kanalima za putovanje-iz-svoje-fotelje možemo da vidimo <em><span style="text-decoration: underline;">nikada</span></em> nisu antropološki filmovi.</p>
<p>Vizuelna antropologija je, očigledno, izgubila bitku za definisanje znanja o kulturama , u odnosu na popularne <em>travel&amp;leisure </em>kanale. Pitanje je iz koje perspektive nam se onda nudi znanje o drugima kroz (kako su se nekad nazivali) naučno-popularne TV programe?</p>
<p>Da bi uopšte mogli da postoje kao multinacionalni medijski konglomerati, uređivači pomenutih TV stanica fokusiraju se isključivo na tzv. ’soft (&amp; sweet) entertainment’<em> </em>sa ciljem da razgali i nikako ne uznemiri osećanja milionske (odatle konzervativne-mediokritetske) globalne/glokalne publike. Istraživanja različitosti u njima se svode na ispeglane razglednice i priče ispričane tako da je heroj uvek turista sa gomilom love. <em> </em></p>
<p>Filmovi koje ćemo gledati u decembru (a i dalje) značajno se razlikuju od pomenutih tv programa iz mnogih više naučnih a manje popularnih razloga. Evo nekih koji mi padaju na pamet&gt;</p>
<ol>
<li>
<p lang="sh-YU">kritikuju 	(savremenu-potrošačku) kulturu;</p>
</li>
<li>pomeraju 	interpretaciju iz stiska autoritarnog-objašnjavajućeg vojs/overa 	ili gluvarenja po-belom-svetu sa „selebriti“ voditeljima i 	dozvoljavaju protagonistima da sami govore o sebi;</li>
<li>postavljaju 	pitanja o načinu na koji naše želje, porivi, navike i sl. 	konstruišu sliku koju imamo o različitom;</li>
<li>
<p lang="sh-YU">ponekad, 	dozvoljavaju slici da postoji i izvan naše želje, da govori sama o 	sebi preteći da uništi našu iluziju o 	bezbednom-ispeglanom–uređenom svetu koji nas okružuje.</p>
</li>
</ol>
<p lang="sh-YU">
<p lang="sh-YU">Suštinsko znanje koje možemo dobiti u kratkom susretu sa nečim stranim je saznanje o našim navikama i granicama, znanje o sopstvenom kapacitetu za razumevanje neke kulture.</p>
<p>Slike (o drugim ljudima i prostorima) mogu da se posmatraju kao medijatori društvenih odnosa – repertoari/šabloni koji uobličavaju naše susrete, stoga nikako nije svejedno koji program birate.</p>
<p lang="sh-YU">
<p>Dakle, ako cenite da ste publika Self-Discovery kanala, dođite utorkom od 8h u Klub.</p>
<p lang="sh-YU">Ostali, nazad u fotelju.</p>
<p lang="sh-YU">
<p lang="sh-YU"><strong>FILMOVI&gt;</strong></p>
<p lang="sh-YU">
<h2 lang="sh-YU"><strong>7.12.2010.</strong></h2>
<h2><a name="C4"><strong>Dennis  O’Rourke, </strong><em><strong>Cannibal Tours</strong></em><strong> , </strong><strong>(1988.), 72 min</strong></a></h2>
<p><a href="http://www.vega.org.rs/wp-content/uploads/CannibalToursnet.jpg"><img class="alignleft size-medium wp-image-492" style="margin: 6px;" title="CannibalToursnet" src="http://www.vega.org.rs/wp-content/uploads/CannibalToursnet-300x228.jpg" alt="" width="273" height="208" /></a></p>
<p><span style="text-decoration: underline;"><a href="http://www.imdb.com/title/tt0199399/">http://www.imdb.com/title/tt0199399/</a></span></p>
<p><span style="text-decoration: underline;"><a href="http://www.cameraworklimited.com/films/cannibal-tours.html"><strong>http://www.cameraworklimited.com/films/cannibal-tours.html</strong></a></span></p>
<p>Kada turisti luksuznom jahtom putuju do najdaljih krajeva reke Sepik u  džunglama Papue Nove Gvineje, kako bi susreli negdašnje kanibale  -postavlja se pitanje: Da li su lokalni seljani ili sami turisti  kulturne čudesnosti? Ovaj film istražuje različitosti (i iznenađujuće  sličnosti)   koje se pojavljuju kada se “civilizovani” i “primitivni”  ljudi sretnu. <em>Cannibal Tours</em> opservacionim stilom i etnografskim pristupom ljušti slojeve kulturnih predrasuda dok otkriva ovaj sjajni fenomen.</p>
<p><strong>trejler&gt; </strong></p>
<p><span style="text-decoration: underline;"><a href="http://aso.gov.au/titles/documentaries/cannibal-tours/clip3/"><strong>http://aso.gov.au/titles/documentaries/cannibal-tours/clip3/</strong></a></span><strong>#</strong></p>
<p><strong><br />
</strong></p>
<p lang="sh-YU">
<h2 lang="sh-YU"><strong>14.12.2010.</strong></h2>
<h2><a name="C3"><strong>Michael </strong><strong>Glawogger&gt; </strong><em><strong>MEGACITIES: 12 Stories of Survival</strong></em><strong>, (1998.) , 90 min</strong></a></h2>
<p><em><a href="http://www.vega.org.rs/wp-content/uploads/33megacities.jpg"><img class="alignleft size-medium wp-image-494" style="margin: 6px;" title="33megacities" src="http://www.vega.org.rs/wp-content/uploads/33megacities-182x300.jpg" alt="" width="137" height="226" /></a><br />
</em></p>
<p><span style="text-decoration: underline;"><a href="http://www.imdb.com/title/tt0169024/">http://www.imdb.com/title/tt0169024/</a></span></p>
<p><span style="text-decoration: underline;"><a href="http://www.glawogger.com/news_en.php">http://www.glawogger.com/news_en.php</a></span></p>
<p><em>Megacities</em> prikazuje život od kojeg obično okrećemo glavu na  ulicama prenaseljenih gradova.</p>
<p>Sastavljen iz 12 majstorski snimljenih  priča o marginalcima iz Bombaja, Njujorka, Meksiko Sitija i Moskve,</p>
<p>Glawoggerov film ispituje granice dokumentarnog žanra i izaziva strasne  polemike.</p>
<p><strong>trejler&gt;</strong></p>
<p><span style="text-decoration: underline;"><a href="http://www.youtube.com/watch?v=4z91C39r_6g"><strong>http://www.youtube.com/watch?v=4z91C39r_6g</strong></a></span></p>
<p><span style="text-decoration: underline;"><strong><br />
</strong></span></p>
<p lang="sh-YU">
<h2 lang="sh-YU"><strong>21.12.2010.</strong></h2>
<h2><a name="C2"><strong>Kidlat Tahimik&gt;</strong><em><strong>Perfumed Nightmare (Mababangong Bangungot) </strong></em><strong>(1977) , 91min</strong></a></h2>
<p><a href="http://www.vega.org.rs/wp-content/uploads/tahimik.jpg"><img class="alignleft size-full wp-image-496" style="margin: 6px;" title="tahimik" src="http://www.vega.org.rs/wp-content/uploads/tahimik.jpg" alt="" width="176" height="286" /></a></p>
<p><span style="text-decoration: underline;"><a href="http://www.imdb.com/title/tt0076341/">http://www.imdb.com/title/tt0076341/</a></span></p>
<p>Kros-over između dokudrame i filma eseja, sada već kultni prvenac filipinskog režisera Tahimika</p>
<p>daje izuzetno svežu i  duhovitu kritiku američkog kolonijalizma i globalizacije, iz prvog  lica.</p>
<p>Proizveden uz pomoć Vernera Hercoga sa budžetom od 10 000 $, <em><strong>Perfumed Nightmare</strong></em> nas,</p>
<p>po rečima Susan Sontag “podseća da inventivnost, smelost,  opčinjenost – čak i nevinost- još uvek mogu da se vide na filmu.“</p>
<p><strong>insert&gt;</strong></p>
<p><span style="text-decoration: underline;"><a href="http://www.youtube.com/watch?v=ucXIiAUMlHo">http://www.youtube.com/watch?v=ucXIiAUMlHo</a></span></p>
<p><span style="text-decoration: underline;"><br />
</span></p>
<h2 lang="sh-YU"><strong>28.12.2010.</strong></h2>
<h2><a name="C1"><strong>Jenifer Baichwal&gt; </strong><em><strong>Manufactured Landscapes</strong></em><strong> , </strong><strong>2006, Canada, 90 mins</strong></a></h2>
<p><a name="C1"><strong> </strong></a><a href="http://www.vega.org.rs/wp-content/uploads/manufactured_landscapes.jpg"><img class="alignleft size-medium wp-image-498" style="margin: 6px;" title="manufactured_landscapes" src="http://www.vega.org.rs/wp-content/uploads/manufactured_landscapes-202x300.jpg" alt="" width="202" height="300" /></a></p>
<p><span style="text-decoration: underline;"><a href="http://www.imdb.com/title/tt0832903/"><strong>http://www.imdb.com/title/tt0832903/</strong></a></span></p>
<p>Dokumentarac predstavlja svojevrsan portret kanadskog fotografa Edvarda  Bartinskog</p>
<p>koji se proslavio fotografijama industrijski promenjenih  pejzaža – megastruktura-</p>
<p>fabričkih kompleksa,  rudnika, kamenoloma,  brana, pogona za recikliranje.</p>
<p>Ispitujući na sopstveni način fotografov  rad i motivaciju, film nenametljivo predstavlja kompleksnost teme –</p>
<p>estetskih-društvenih i duhovnih uticaja industrijalizacije- bez  izricanja jednostranih sudova i traženja jednostavnih rešenja.</p>
<p><strong>Trejler&gt;</strong></p>
<p><span style="text-decoration: underline;"><a href="http://www.youtube.com/watch?v=ie5SJ39LsDg&amp;feature=player_embedded">http://www.youtube.com/watch?v=ie5SJ39LsDg&amp;feature=player_embedded</a></span></p>
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